Tierra Vida – An Ayahuasca Journey

Produced and Directed by Alexander G. Ward, uploaded with full permission.
Music by The Fossil Club
© 2012 Wardyworks – All Rights Reserved

Connecting to Your Guides

Wendy Kennedy shares tips and insights on connecting to your spirit guides and celestial friends.

The Afterlife Investigations – Movie Feature

Breakthrough scientific evidence for the afterlife. The Scole Experiments. For five years a group of mediums and scientists witnessed more phenomena than in any other experiment in the history of the paranormal, including recorded conversations with the dead, written messages on sealed film, video of spirit faces and even spirit forms materializing. These experiments may finally convince you there is life after death.

Does Consciousness Depend on the Brain?

In this materialistic age, dualists are often accused of smuggling outmoded religious beliefs back into science, of introducing superfluous spiritual forces into biology, and of venerating an invisible “ghost in the machine.” However, our utter ignorance concerning the real origins of human consciousness marks such criticism more a matter of taste than of logical thinking. At this stage of mind science, dualism is not irrational, merely somewhat unfashionable. – Physicist Nick Herbert, Elemental Mind.

In March 1987 Dawn Gillott was admitted to Northampton General Hospital, seriously ill with pneumonia. After being placed in intensive care, the physicians decided to perform a tracheotomy because she could not breathe.

The next thing I was above myself near the ceiling looking down. One of the nurses was saying in what seemed a frantic voice, ‘Breathe, Dawn, breathe.’ A doctor was pressing my chest, drips were being disconnected, everyone was rushing round. I couldn’t understand the panic, I wasn’t in pain. Then they pushed my body out of the room to the theatre. I followed my body out of the ITU and then left on what I can only describe as a journey of a lifetime.

I went down what seemed like a cylindrical tunnel with a bright warm inviting light at the end. I seemed to be traveling at quite a speed, but I as happy, no pain, just peace. At the end was a beautiful open field, a wonderful summery smell of flowers. There was a bench seat on the right where my Grandfather sat (he had been dead seven years). I sat next to him. He asked me how I was and the family. I said I was happy and content and all my family were fine.

He said he was worried about my son; my son needed his mother, he was too young to be left. I told Grampi I didn’t want to go back, I wanted to stay with him. But Grampi insisted I go back for my children’s sake. I then asked him if he would come for me when my time came. He started to answer, ‘Yes, I will be back in four –’ then my whole body seemed to jump. I looked round and saw that I was back in the ITU.

I honestly believe in what happened, that there is life after death. After my experience I am not afraid of death as I was before my illness.

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Graham Hancock – on location in Mexico 2010

Graham Hancock filmed on location in Mexico 2010.
Produced by Frank Da Silva with cinematography by Mark Waters in association with Orion Network Films LLP.

Unraveling the Buddha’s teachings on how we construct ourselves

The core insight of the Buddhist tradition—the relentless emptiness of phenomena—has profound implications for all of us who are trying to understand the nature of life. It points to the disturbing fact that all nouns are arbitrary constructions. A person, place or thing is just an idea invented to freeze the fluid flow of the world into objects that can be labeled and manipulated by adroit but shallow modes of mind. Beyond and behind these snapshots we take for ourselves is a vast and unnamable process.

Of all the words we use to disguise the hollowness of the human condition, none is more influential than “myself.” It consists of a collage of still images—name, gender, nationality, profession, enthusiasms, relationships—that are renovated from time to time, but otherwise are each a relic from one particular experience or another. The defining teaching of the Buddhist tradition, that of non-self, is merely pointing out the limitations of this reflexive view we hold of ourselves. It’s not that the self does not exist, but that it is as cobbled-together and transient as everything else.

The practice of meditation invites us to investigate the flux of arising and passing events. When we get the hang of it, we can begin to see how each artifact of the mind is raised and lowered to view, like so many flashcards. But we can also glimpse, once in a while, the sleight-of-hand shuffling the cards and pulling them off the deck. Behind the objects lies a process. Self is a process. Self is a verb.

How do we go about selfing ourselves? This is something the Buddha looked at very closely, and he left us a trail to follow that reveals the process. The name of this trail is dependent origination, and it starts (in some formulations) with a moment of consciousness, the cognizing of a sense object with a sense organ. Most other thinkers (both then and now) consider the matter to begin and end here, that consciousness is self. Where there is an object, there must be a subject, right? Subject and object define one another.

But at least in the earliest teachings of the Buddhist tradition, all that is granted is that consciousness defines an object. To be aware is to be aware of something. Yet as everyone knows—everyone who has lost themselves for a few precious moments in music or dance or sport, or even sex—one can be fully aware of objects without the corresponding creation of the subject. Selfing is optional.

When an object is known by means of an organ, a moment of contact is born. This is the elemental unit of experience upon which our world of experience is constructed, and is an event that occurs rather than an entity that exists. Perception and feeling also arise in conjunction with this moment of contact, and the whole arisen bundle is further conditioned by a particular intentional stance or attitude. All this amounts to an elegant, but selfless, interdependent arising of physical and mental phenomena (aka the five aggregates), in response to the presentation of information at a sense door. It functions similarly for a suffering worldling or for an awakened Buddha.

The process of constructing a self begins as an uninformed response to the texture of the ensuing feeling tone. Desire is a state of disequilibrium between what is arising and what one wants to be arising. The process is the same whether one wants vanishing pleasure to endure or one wants presenting pain to go away. In either case, desire can only manifest when a person who desires is created. The self (as a noun) is created as the (imaginary) subject of desire through an event that English won’t even let us name: selfing.

The manner in which this is done employs the mediating function of grasping or clinging, which consists of holding on or pushing away. Prompted by desire, the wanting-of-things-to-be-other-than-they-are, the response of holding on to what I like or pushing away what I don’t like gets acted out. The making-of-a-self is the verb, and the view-of-a-self is its residue. The process of selfing manifests as an attitude to phenomena, expressed through the unskillful conditioning of intention, rather than as thing itself. Hence the Buddhist teaching of non-self as a particular kind of corrective to wrong view, rather than as the negation of an entity.

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David Wilcock: The Source Field Investigations — Full Video!

Did human extraterrestrials visit Earth — and predict a Golden Age will culminate in the year 2012, freeing us from evil, fear and doom?

Did the founding fathers of America inherit this prophecy — and encode it directly into the Great Seal of the United States? Why is there a pyramid with an eye inside a glowing triangle? Is Novus Ordo Seclorum quoted from an ancient prophecy text — the greatest and most secret treasure of the Roman Empire — predicting that humans on Earth will transmute into “light beings” and achieve Apotheosis — where Man becomes God — and the ‘Gods’ themselves return?

David Wilcock reveals the stunning scientific proof that DNA and biological life emerge directly out of the Source Field… a universal matrix of energy creating all space, time, matter, energy, biological life and consciousness — and we are indeed about to experience the Greatest Moment of All Time. Learn about the pineal gland, Illuminati, government conspiracy, UFOs, DMT, the Mayan Calendar and more!

 

Graham Hancock – Supernatural

quotes from:
Graham Hancock – “Supernatural”
Meetings with the Ancient Teachers of Mankind
***
“I always knew we weren’t alone in the universe. I thought that the only way to encounter them is with bright lights and flying saucers in outer space. It never occured to me to actually encounter them in our own inner space.

Ayahuasca and the concept of reality

Ayahuasca, a psychotropic preparation created by upper Amazonian people since time immemorial, has been the subject of an increasing number of scientific and popular publications. Today, thousands of people from many countries and walks of life have had experience with it. Ayahuasca is the Quechua name, widely used in Peru, Ecuador and Bolivia, and to a lesser extend in Brazil, where it has been adopted by religious organizations that refer to the beverage either as Santo Daime or Vegetal. It is prepared by brewing the stem of Banisteriopsis caapi, a vine of the Malpighiaceae family, and the leaves of Psychotris viridis, in the Rubiaceae, locally known as chacruna or chacrona. In Colombia as well as areas of the Ecuadorean Amazon, Diplopterys cabrerana, a vine belonging also to the Malphighiaceae locally known as chagropanga, is added to B. caapi to prepare a beverage (as a cold infusion or as a brew) called yajé (also spelled yagé). Some indigenous groups make a drink of only B. caapi, in which case I propose to use just the term caapi. Banisteriopsis caapi contains two main alkaloids, harmine and tetrahydroharmine (some varities contain also traces of harmaline), while both Psychotria viridis and Diplopterys cabrerana contain the powerful visionary alkaloid dimethyltrytamine (DMT), which is not orally active when ingested alone due to oxidation by the enzyme MAO (monoamine oxidase) in the liver and gut wall. In the presence of harmine, a MAO inhibitor, DMT crosses the brain-blood barrier and attaches to 2A and 1A serotonin receptors in the CNS (central nervous system), causing dramatic perceptual, cognitive and mood changes. Ayahuasca (as well as yajé) is thus an invention of upper Amazonian indigenous groups, also famous by their discovery of the properties of other plants, such as those involved in the preparation of curare, a powerful muscular relaxant, various species of rubber essential to the automobile revolution, as well as the domestication of numerous plants, such as tobacco, and many species of palms. The Amazon area is gradually being recognized as a center of high culture previous to the European invasion that brought unimaginable destruction to the whole continent, with the disappearance within 150 years of around 95% of its population, mostly due to contagious diseases for which it had no natural defenses.

Ayahuasca (and yajé) is used within a shamanistic complex by numerous indigenous groups of the Upper Amazon with various purposes, such as divination, diagnosing illnesses, transformation into animals or more generally to get in touch with normally unseen realms subjacent to ordinary reality, including visits to the primordial time where humans and animals acquired their present shapes. The concept of reality among indigenous groups suggests a many-worlds interpretation of the real. Ayahuasca and other sacred plants facilitate access to these other realities. Its importance is reflected in the myths of origin. Gerardo Reichel-Dolmatoff, who worked among Tukanoan indigenous groups of Colombia (also living on the Brazilian side of the border) collected a myth that I present here in a highly condensed form (Reichel-Dolmatoff (1975:134-136): The Sun Father is the Master of Yajé. He impregnated a woman who looked at Him through the eye. She gave birth to the Yajé vine in the form of a radiant child. When she entered the maloca or communal house she asked, “Who is the father of this child”. One after the other several men, the ancestors of the Tukano, said “I am his father”, the first cutting his umbilical cord, others grabbing him by his fingers, his arms and legs, tearing him into pieces, each getting his own kinds of yajé. With it they also got the rules by which to live, and other things with which to reciprocate: conversations, songs, food, and also evil things. They found their place, their way of life.

Among the Cashinahua and other Pano indigenous groups of Peru and Brazil (who call ayahuasca nixi pae) the origin of the vine is in the sub aquatic realm. According to Lagrou (2000:33) the ancestor named Yube enters the water world of his spiritual kin, the snakes, to marry the beautifully-painted snake woman whose vision had seduced him. He is initiated into taking ayahuasca but he fails to resist the fear induced by the visions. He cries out, offending his snake kin, owners of the brew, and escapes, only to be found and wounded by his angry kin a year later. Before he dies, he transmits to his people his knowledge of the brew’s preparation and its song.

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ELECTRONIC AWAKENING

In Electronic Awakening, director Andrew Johner lifts the veil on an underground spiritual movement that has developed within electronic music cultures worldwide.

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